INCLUDING CONGRESS....
INCLUDING THE STATE LEGISLATURE
to get the #$%@^& BACK TO WORK!
Even Chief Oshkosh thinks so.....
A place reserved for progressive ideas...and the occasional rant.....

conservative "outbreak" in Kansas it is equally clear that voting for conservatives is against the interest of most Kansans. There has to be more to it than that....here are a few attempts (feeble?) to find more satisfying answers:

Oh yeah...neat picture huh?

otemkin, actually happened, but the images Eisenstein created, the sympathetic and lovable leader of the rebellion, the cruel and immoral officers and petty officers, the heart rending funeral of the leader of the rebellion, the bloody and (at that time) terrifying Odessa Steps sequence (which has been copied in thousands of movies in one version or another since 1925)..all those were fabricated to evoke the emotional response that Eisenstein wanted the audience to experience.The most famous scene in the film is the massacre ofsnip
civilians on the Odessa Steps (also known as the Primorsky or Potemkin
Stairs). In this scene, the Tsar's Cossacks in their white summer tunics march down a seemingly endless flight of steps in a rhythmic, machine-like fashion,
slaughtering a crowd, including a young boy, as they attemptto flee. After the
boy falls, his mother picks up his body and yells at the soldiers to stop firing. They do only to shoot her minutes later. Toward the end of the sequence, the soldiers shoot a mother who is pushing a baby in a baby
carriage. As she falls to the ground, dying, she leans against the carriage, nudging it away; it rolls down the steps amidst the fleeing crowd.
The scene is perhaps the best example of Eisenstein's theory on montage, andI was privileged to see "Potemkin" in college in a History of the Motion Pictures class. It was unforgettable. It was made even more remarkable when we understood the state of the technology in 1925 and the imagination of Eisenstein and his willingness to experiment. Who knew that it would become the template for all propaganda films to follow?
may have influenced many of Leni Riefenstahl's similar images in the Nazi propaganda film Triumph of the Will. It has been endlessly referenced in many motion pictures, with famous homages occurring in Francis Ford Coppola's The
Godfather, Brian De Palma's version of The Untouchables, and Star Wars Episode III: Revenge of the Sith. It was also spoofed in Woody Allen's Bananas and Love and Death, Terry Gilliam's Brazil, and the ZAZ film Naked Gun 33⅓: The Final Insult

